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Bret Hart
Mount Rushmore, vol. 1-2


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PREVIEW TRACKS
Ghost of Popeye
Fat, Rude, & Drooling

TRACK LISTING...
1. Ghost of Popeye; 2. Beets (and...); 3. Incisor; 4. Ekaf Slleb (version 1); 5. Tote That Bale!; 6. Her Dead Sister-in-law; 7. Twinkie; 8. View of Seoul From a Crowded Highway; 9. Cooking a Dog With a Propane Torch; 10. a few moments of blessed silence; 11. Slow Bottom-dwellers and Refraction; 12. Jammin' With an Orphan Kid; 13. Orphanage Afterthought; 14. These Wires; 15. Pregnant Rawhide Lift-off; 16. "No, lick my stickers off."; 17. Well, Bow Me Down!; 18. He Enters Your Dream, Shivering; 19. Colliding (and...); 20. Kim Il-Sung's Neck; 21. intermission; 22. Meeting a Robber In One's Home; 23. Some Concluding Commentary; 24. Corpulent. Volume 2: 1. Fat, Rude & Drooling; 2. Soundtrack To a Cartoon, of Sorts; 3. "Hey! Have ya got some gum?"; 4. Different Billboards There; 5. Woodsaw With Odd Handle; 6. Running, Full-Tilt, On Rice Paddy Trails as a Meditation; 7. Chewy Dired Filefish /n Pepper Paste; 8. Dancing, As ONly We Two Do; 9. We Call It "The Main in the Moon; They Call It "The Rabbit On the Moon"; 10. Lil' Pointy-Head Goats; 11. E-bow (-tato) Symfunny; 12. Laceration; 13. Several More Moments of Blessed Silence; 14. Iffy Dental Work; 15. Some Water; 16. Pointercount; 17. Beefalo Approach!; 18. Actual Peek Through the Gates of Heaven; 19. Actual Peek Into a Molecular Structure of Kim-chi; 20. Two Female Guests; 21. Surfing Them Wires Once More; 22. Longin' Fer Dem Blue Ol' Hills o' Home.

TIME: 145:48.

 From InstrumenTales Records - USA

STYLE... Progressive, Instrumental Rock

Y'see, I lived in South Korea for about half of the 1980's. Having a tad of fluency with the language definitely helped me learn things from folks I encountered. There was the Na-Gwon-Dong builiding, in Seoul's "music district," about 7 floors of all things musical. On the outer edge of Seoul's primary retail business corridor was a tiny and cluttered Buddhist shop, where I found a plethora of gongs, temple blocks, and other percussive delights. Another Buddhist shop, in Osan, yeilded a fascinating bowed instrument - the HEY-GUM - which appears intermittently on these CD's. I also was able to enjoy a few months in crowded Central Japan, and 28 days in steamy Alongapo in the Philippines. Nothing tickles my palate quite like authentic Lumpia. "Mount Rushmore" was the last orchestral thing I did before returning to north eastern USA in 1990. I wanted to do a fusion record which consolidated the sonic things I had discovered and learned in the Orient, with the personal leanings which characterize my song-oriented work. I was about to start singing again. Make up your own lyrics to these collisions of sensibility, rhythm, and tuning. -BHH

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